Choreographic performance based on the work of Abay Kunanbayevich "AZIM ANGIMESI".

Well-known scientist Kazhym Zhumaliev: "In a thousand and one nights" such miraculous events happen many times. However, "Azim" writes that one of the differences is the issue of alchemy.

This performance is based on the unfinished work of A. Kunanbayevich based on the fairy tale "The Story of Azim". Hakim Abai turns a chapter of the story "A Thousand and One Nights" into a poem.

Azim's paralysis can be used by scientists to enrich themselves, for which they can resort to various evils. Zhadigoyshal is one of them. Those who believe that the most interesting and the main purpose of life is only getting rich, do not give up any evil deeds. Neither oppression nor bloodthirstiness is their thing. The alchemist in the poem, a paralyzed man, tricks Azim into fulfilling his evil goal and leaves him at the top of the mountain, among the whistling dragons and dragons. But at the end of the dance, they suddenly split up.

Choreographers: S. Duzbayev, A. Beglova, U. Izenaev, M. Baibulova

Director: K. Agimbayeva

Authors: Е. Agimbayev

Music author and music editor: K. Yerzhan

Artistic director of the theater: Kadisha Agimbayeva - Honored Worker of Kazakhstan, Chief Choreographer

Director of the State Dance Theater "Naz" - E. Agimbayev

Choreographers - E. Agimbayev, K. Agimbayeva, M. Aitmagambetova.

The play tells about the ancient history of the Kazakh people. That is, it reflects the stages of the formation of the Saka, Hun, Uisin, Kanly, and then the Turkic khaganate, which inhabited the Kazakh lands in the VI-XI centuries before the establishment of the Kazakh Khanate.

Director of the Center for Turkic and Altaic Studies of the Eurasian National University named after L. Gumilev, doctor, professor, turkologist Karzhaubai Sartkozhaevich called the play "Tuygyndar".

In ancient times there was a bird called "Tuygyn". He also called the leading reconnaissance group "Tuygyndar". These soldiers were not taken prisoner and never retreated.

The main purpose of the performance is to awaken the spirit of the audience, turning our stone history into a world of art on stage. During the performance, the monuments of Orkhon-Yenisei, balbal stones will appear on the stage and the pages of history will be opened.