"Couple's Mystery" is a musical work written in the XIX century by the famous Austrian composer Johann Strauss. The play has been in the spotlight of theatergoers since its first appearance on the stage. The melodrama and comedy style of the musical comedy, based on filigree irony and delicate humor, is easily perceived by the audience, and the pleasant, simple music gives a feeling of celebration and happiness.

The plot of the work "Mystery of the couple" is always relevant. Because it describes the eternal problems of family life, marital relations, love and jealousy, joy and sorrow. The special situation with the main characters of the work opens the whole palette of emotions for the viewer. The unfaithful Eisenstein is forced to fall in love with his wife, who appears in the form of a beautiful stranger, and the beautiful and slender Rosalind must understand new aspects of women's wisdom and charm in order to restore old feelings and preserve the family hearth.

There are many moments in the life of a couple full of secrets, songs and mysteries. Among them are unwritten rules and regulations. Efforts to preserve the integrity and uniqueness of a couple are justified and supported by the law of love.

Stage directors: People's Artist of the USSR Sergei Obraztsov,

People's Artist of the Russian Federation Semyon Samodur

Director: People's Artist of the Russian Federation Vladimir Kusov

Dance production: People's Artist of the Russian Federation Semyon Samodur

Set Designers: Valentin Andrievich, Natalia Schneider

Composers: Yuri Saulsky, Lev Solin, Grigory Teplitsky,

Ilya Shakhov, Ilya Yagodin, Igor Yakushenko

The premiere of the performance took place on June 19, 1946. The second edition was created in 1968.

The duration of the performance is 2 hours with intermission.

"Unusual Concert" is a comic puppet revue in which puppets parody artists of a wide variety of genres: there are singers and singers, dancers and musicians, circus trainers and magicians. The performance toured hundreds of cities in our country and more than forty foreign countries. As a record-breaking performance, it is rightfully included in the Guinness Book of Records, since it was watched by the largest number of spectators in the world. He enjoys great audience love even today. The "Unusual Concert" is conducted by the puppet master - Eduard Aplombov. He has the gift of instantly making the audience smile. Loves continuous applause. Unique polyglot: makes jokes and puns without delay in twenty-four languages ​​of the world, including Farsi and Hindi.

“We began to actively prepare the All-Russian tour and concert plan last year,” noted Olga Lyubimova, Minister of Culture of the Russian Federation. - ROSCONCERT received over 500 applications from government organizations to support touring and concert activities. Such a record number of requests indicates that the need for tours of various creative teams of the country is growing from year to year.

We are taking another important step - we are beginning to provide serious support to private theaters on tour. Moreover, active work continues to implement the touring activities of national choreographic and choral groups, vocal and instrumental ensembles, orchestras and ensembles of folk instruments, song and dance theaters.

In fact, starting with the implementation of the All-Russian tour and concert plan in 2021, we can confidently assert that the Ministry of Culture of Russia is re-creating one of the main achievements of the past - a single touring system of the country, which is formed according to clear transparent rules and covers the entire territory of Russia. "

Carlo Gozzi

Translated by M.L. Lozinsky

A fairy tale of ancient China, played out under a Venetian bridge by the light of the moon ...

The author of the stage version for the puppet theater and the director -

laureate of the Russian National Theater Award "Golden Mask", Honored Art Worker of the Russian Federation Boris Konstantinov

Artist, laureate of the Russian National Theater Prize "Golden Mask" Viktor Antonov

Composer Katya Mits

The soundtrack of the performance includes a mandolin solo performed by Georgy Yermolin. Solo on the Chinese flute Xiao - Ekaterina Maletina.

The premiere of the play took place on December 23, 2017.

The duration of the performance is 2 hours with intermission.

This is an amazing fairy tale in which two worlds collide - austere China and romantic Venice. The love story of the cruel beauty Turandot and Prince Calaf is played out with such genuine passion that sometimes you forget that there are dolls on the stage. The huge Moon, Venetian bridges, the black smooth surface of the water, gondolas, fans, bells, and, of course, dolls - real works of art - fascinate, forcing you to forget about everything for two hours, except for what is happening on the stage. Unique theatrical puppets with various tricks are attached to the base of bamboo sticks, and the image of flute puppets emerges, playing out the story of how an unknown wanderer managed to become the chosen one of a cruel beauty.

Stage Director - K. Eshmuratova

Honored Artist of the Republic of Kazakhstan

Designers - Sh.Elembaeva, N. Klimenko

Choreographer - Y. Amirova

Director's Assistant - D. Beisenbaev, Honored Worker of Culture

Director assistant - A. Kanaeva

This performance is based on the famous heroic tale of the Kazakh people

"Er Tustik".

The performance vividly reflects Kazakh traditions, customs, attitudes towards parents, towards the older generation. The red line underlines the heroism of the batyrs, their love for their land, for the Motherland. Courage, decisiveness, honesty of the heroes call on young viewers to imitate their favorite heroes.

There are many Kazakh proverbs, sayings, national music in the performance, which is important for the upbringing of spirituality and knowledge in children.

The Astana musical Theater will present the famous comedy of the English playwright Ray Cooney "No. 13".

The play "13" is one of the best comedies of the last decades. In 1991, it was awarded the Laurence Olivier Award as the best comedy of the year.

The action of the play takes place in a hotel room with the sacred number 13. The ironic satire of the plot is as old as the world – two and a third extra. Two are an influential politician and his secretary. The third extra here is a robber who spoils a date and suddenly dies from the impact of a window sash. But that's the trouble! You cannot call the police - otherwise you will have to explain why a respected politician spends the night outside the house. So there's only one thing left: get rid of the body! But how?!

Number 13 is not just a hotel room, because the audience is watching its events. An ironic comedy, in which the fate of the actors is intricately intertwined, looks easy and at ease. This is exactly what many people need so much right now - to relax and just laugh. The director of the performance is the artistic director of "Astana musical" Eslyam Nurtazin.

On October 28, 29 and 30, 2021, Kazakhstan will host a tour of the Theater on Bronnaya. Sasha Denisova's play "The Bat Man against Leonid Ilyich Brezhnev" will be shown in Nur-Sultan on the stage of the Astana Ballet Theater.

The plot of the play is a fantasy about what a Human Bat would do in the USSR, in the era of stagnation, if he were a Soviet citizen. The comic book hero lives in the USSR and hides under the guise of a modest writer Dudochkin - a klutz and one of millions of Soviet citizens. Under the cover of night, Tolya Dudochkin spreads his dark wings and punishes the villains of stagnant Gotham City on improved Zhiguli, protects ordinary Soviet people, wears flared jeans and, of course, finds love.

On October 28, 29 and 30, 2021, Kazakhstan will host a tour of the Theater on Bronnaya. Sasha Denisova's play "The Bat Man against Leonid Ilyich Brezhnev" will be shown in Nur-Sultan on the stage of the Astana Ballet Theater.

The plot of the play is a fantasy about what a Human Bat would do in the USSR, in the era of stagnation, if he were a Soviet citizen. The comic book hero lives in the USSR and hides under the guise of a modest writer Dudochkin - a klutz and one of millions of Soviet citizens. Under the cover of night, Tolya Dudochkin spreads his dark wings and punishes the villains of stagnant Gotham City on improved Zhiguli, protects ordinary Soviet people, wears flared jeans and, of course, finds love.

On October 28, 29 and 30, 2021, Kazakhstan will host a tour of the Theater on Bronnaya. Sasha Denisova's play "The Bat Man against Leonid Ilyich Brezhnev" will be shown in Nur-Sultan on the stage of the Astana Ballet Theater.

The plot of the play is a fantasy about what a Human Bat would do in the USSR, in the era of stagnation, if he were a Soviet citizen. The comic book hero lives in the USSR and hides under the guise of a modest writer Dudochkin - a klutz and one of millions of Soviet citizens. Under the cover of night, Tolya Dudochkin spreads his dark wings and punishes the villains of stagnant Gotham City on improved Zhiguli, protects ordinary Soviet people, wears flared jeans and, of course, finds love.

Do you have regrets for the past? Everything is God's work. When was the Kazakh taken by an external enemy ... I still feel sorry for the unbeliever who violated the Shari'a in the tradition of his ancestors and went to the horrors that the country has never heard of. I would pull out my esophagus with my own hands. I can clearly feel that I am being swallowed up in the unpredictable future of the Black Tower. What to do? Where is the way out?

In the play The Taming of the Shrew, the English playwright William Shakespeare describes the story not about appeasement of the shrew, but the friendly relations of the spouses who truly know sincere love. The ironic argument between the stubborn, witty Petruccio and the resourceful, obstinate Katarina is just as exciting as the aitys between a girl and a guy. Young actors with their inherent talent perfectly embodied the images of the joker Grumio, the quirky Tranio, the kind Baptist and other characters. The action that takes place on the stage, bewitching, and humor makes it possible to enjoy the performance to the fullest.
        A work that is valued by its subtle humor throughout the world, in this production is distinguished by the artistic decision of the director. The performance is interesting because here the event is revealed by the plastic qualities of the performers and cheerful music.

Dzhigit - Meirgat Amangeldin, winner of the Umit Award, the Enbek Danky medal

The girl - Nazerke Serikbolova, winner of the Umit award

A troupe of all actors on the public stage

Resting on shore of the lake’s crystal surface, young man met a girl from his crystal dreams. However, no one has yet canceled the annoying axiom of the inconceivability of the existence of True Love without real obstacles. The girl already had a chosen one, who destined for her by fate itself.

Ever both the purity of deep feelings and art will oppose such a DRAMA of being that arose before them. The more difficult it is to achieve your goal, the more desirable it becomes - this is the truth of life. In addition, over all these vicissitudes and contradictions stands, proudly towering, Her Majesty - Love.

Only the miraculous power of music can fully convey that limitless palette of human feelings, which could not express not in verbal nor written words. Sifting through the thin strings of spectator hearts, and filled with melody and riddled with sadness; this love story will not leave in indifference even one single spectator.

The composition of the play "Bright Thoughts" includes stories, between which there is an artistic and semantic connection, therefore the director and author of the stage performance Yevgeny Gelfond combined them with one plot.

The performance based on Shukshin's texts is an open story of people's lives, which takes place in front of the audience. The heroes of the play are ordinary people, residents of the same village. All of them periodically meet in a circle of amateur performances at rehearsals of the play, which will be staged anyway ("A Roof Over the Head", "Actor Fyodor Gray"). The action develops around the discussion of the new play, which caused heated controversy. All scenes of the heroes' family life, as separate episodes, are harmoniously woven into this plot: (stories "Stepkina's love", "Boots", "My son-in-law stole a firewood car", "Bright souls").

The thoughts of the collective farm chairman Matvey Vasilyevich ("Dumas") are the continuous line of the performance. In his monologues, one can hear light sadness, he tries to answer himself the questions that each person asks in the process of life. In the final scene of the play we see ("The owner of the bath and vegetable garden"), the triumph of life, the victory over death and despondency.

On the stage, everyone will talk about Shukshin's work, through the posters of his films, including the unstaged film "The End of Razin" based on the novel "I Came to Give You Free Will" about Stepan Razin. Vasily Shukshin reflects on the "riddle of the Russian soul" through the characters and fates of his heroes. The Shukshin hero does not speak about love, he avoids loud words. The spoken word kills that "guest-minute" that arises between people and does not need an explanation. It is she who has to do with eternity, love.

Choreographic performance based on the work of Abay Kunanbayevich "AZIM ANGIMESI".

Well-known scientist Kazhym Zhumaliev: "In a thousand and one nights" such miraculous events happen many times. However, "Azim" writes that one of the differences is the issue of alchemy.

This performance is based on the unfinished work of A. Kunanbayevich based on the fairy tale "The Story of Azim". Hakim Abai turns a chapter of the story "A Thousand and One Nights" into a poem.

Azim's paralysis can be used by scientists to enrich themselves, for which they can resort to various evils. Zhadigoyshal is one of them. Those who believe that the most interesting and the main purpose of life is only getting rich, do not give up any evil deeds. Neither oppression nor bloodthirstiness is their thing. The alchemist in the poem, a paralyzed man, tricks Azim into fulfilling his evil goal and leaves him at the top of the mountain, among the whistling dragons and dragons. But at the end of the dance, they suddenly split up.

Choreographers: S. Duzbayev, A. Beglova, U. Izenaev, M. Baibulova

Director: K. Agimbayeva

Authors: Е. Agimbayev

Music author and music editor: K. Yerzhan

Artistic director of the theater: Kadisha Agimbayeva - Honored Worker of Kazakhstan, Chief Choreographer

Director of the State Dance Theater "Naz" - E. Agimbayev

Choreographers - E. Agimbayev, K. Agimbayeva, M. Aitmagambetova.

The play tells about the ancient history of the Kazakh people. That is, it reflects the stages of the formation of the Saka, Hun, Uisin, Kanly, and then the Turkic khaganate, which inhabited the Kazakh lands in the VI-XI centuries before the establishment of the Kazakh Khanate.

Director of the Center for Turkic and Altaic Studies of the Eurasian National University named after L. Gumilev, doctor, professor, turkologist Karzhaubai Sartkozhaevich called the play "Tuygyndar".

In ancient times there was a bird called "Tuygyn". He also called the leading reconnaissance group "Tuygyndar". These soldiers were not taken prisoner and never retreated.

The main purpose of the performance is to awaken the spirit of the audience, turning our stone history into a world of art on stage. During the performance, the monuments of Orkhon-Yenisei, balbal stones will appear on the stage and the pages of history will be opened.

Translated by: M. Omarova

\ drama \

Directed by Aridash Ospanbaeva

The staging artist is Kanat Maksutov

Costume designer - Aida Ulanbek

Choreographer - Alexander Vinogradov

Choirmaster - Almat Abishev

Artistic director of the theater - Tursynbek Kabatov,

Honored Worker of Kazakhstan

In any society, the value of family values ​​is highly valued in any age. It is not an easy task for a married couple to combine two different personalities, many facets of knowledge and understanding ... This play by the Russian playwright A. Volodin, full of family contradictions, was the basis for the complaints of divorcees who came to the courtroom. The reasons for the divorce of the five families in the courtroom are also different. Betrayal, cold feelings, loss of respect ...

Scene: T. Khasangalieva, M. Argimbaeva

Stage director: T. Khasangalieva

Artists - directors - A. Syrbaeva, E. Sarsenbayev

Choreographer - Y. Amirova

Director assistant - A. Kanaeva

         Plunge into the magical world of G.Kh. Andersen! The adventures of the smallest girl in the world, Thumbelina, and her friends. On the stage of the Puppet Theater, you will see "living" heroes, beloved fairy tales from childhood! The performance is presented in a synthesis of animation and art of the Puppet Theater. The adventures of the tiny Thumbelina will impress even the most adult spectator! To your attention, a performance full of adventure and magic! Travels are waiting for you!

Staging author: Racha Makhataev, (St. Petersburg, RF)

Stage Director: Racha Makhataev

Production designer: Racha Makhataev

The performance intertwines the plots of three stories: "The Overcoat", "Notes of a Madman", "The Tale of Captain Kopeikin" and other "Petersburg stories" by N.V. Gogol.

Three tragic lyrics and the fantastically mesmerizing Gogol's Bird-Three will play out the mystical story, stepping onto the modern stage, they will reveal the main theme of the performance - the theme of the death of the human soul in a devilishly inhuman world.

What is Gogol's Petersburg like? We learn from the story of the life of three characters who find themselves in this city, where dreams and reality do not coincide, like two parallel realities. And they were able to accomplish what they wanted only in the other world:

What's in the finale?

Everything turns into a mad dream-phantasmagoria, in which Bashmachkin's ghost rips off his overcoats from officials, somewhere in the woods captain Kopeikin is robbing, and a minor official Poprishchin declares himself to be the Spanish king Ferdinand VIII.

Azerbaijan State Drama and Comedy Theater named after Mabetov / State Enterprise "Nomad City Hall" of Nur-Sultan city akimat

Romeo and Juliet

Genre: Tragedy

Translated into Kazakh by Abish Kekilbayev

Director: Eslyam Nurtazin

The staging artist is Kanat Maksutov. Composer - Akzhol Umirzakov. Costume designer - Bakhytgul Toktybayeva. Choreographer - Anel Myrzagulova. Choirmaster - Almat Abishov. The stage was set by Maksat Rakhmet.

Characters and performers: Capuletti - Yerbol Esendosov. Lady Capuletti - Azhar Shakirzhanova. Juliet - Aida Zhanzakova, Aidana Kurasheva, Ainur Zhumabayeva. Nurse - Gulmira Zhakilina, Akbota Makezhanova. Tibalt - Nurzhigit Muslimov, Beybars Askarbekov. The Earl of Paris - Ali Kaldar. Lady Montecchi - Aibanu Baibolatova. Romeo - Akniet Zhaksygali, Almas Askarovich. Mercutio - Rizabek Ali. Benvolio - Ali Bidahmet. Prince - Baglan Imangazinov. Lorenzo Piradar - Aibol Shakirzhanov. The employee is Adilzhan Magzomov.

William Shakespeare's famous "Romeo and Juliet" is the pinnacle of world drama, which can fully meet the needs of every age. The issue at hand has always been on the minds of mankind. This work is about two young people who are fed up with the long-running conflict between the two dynasties. The tragedy, which previously appeared on many stages and was appreciated, will now be transformed at the State Theater of Drama and Comedy named after A. Mambetov.

Dear viewers!

We would like to inform you that the Central Concert Hall "Kazakhstan" is taking part in the Ashyq project.

Please use Ashyq mobile app and scan QR codes before and after visiting the concert hall.

The State Theater "Astana Musical" will present a dance performance "COVID-19".

The name of the performance speaks for itself. There are no invented heroes and pretentious theatrical characters. There are real stories and events from the life of our society. The choreographic performance "COVID-19" is a reflection on eternal values, on the inner state of a person during quarantine, on changes in his consciousness, on the absurd actions and beliefs of the population, on the pain of loss of loved ones and relatives ...

COVID-19 is the most popular word of 2020, which changed all of humanity in an instant. How did the pandemic affect us and what will it leave behind? Will we live as before or will something never come back? A new choreographic production of "COVID-19" will try to answer all these questions.

The director-choreographer of the play - Anel Murzagulova, the author of musical works - Aқzhol Umirzakov

The story is based on the legend about the Wilis – maidens who had died because of being deceived by their lovers and kept a dangerous grudge against all the male mortals. Dressed in bridal gowns, the Wilis compel the wayfarers to join in their giddy whirling movements until they die from exhaustion. French writer Théophile Gautier was inspired by Heinrich Heine’s story and, within days, together with Jules-Henri Vernoy de Saint-Georges created the plot. Adolphe Adam wrote the music in three weeks. The experienced Jean Coralli and the young Jules Perrot were chosen to design the choreography.

Soon after the premiere at the Paris Grand Opéra on 28 June 1841, Giselle was recognized as a remarkable achievement of ballet art. The unique balance of storyline and choreography determined success of the ballet, primarily in Russia. In 1850s in Saint Petersburg the ballet was further improved by Jules Perrot. However, the final choreographic version belongs to Marius Petipa, who, with respect to the romantic ballet style, polished it masterly and became the third choreographer of Giselle.

Carlotta Grisi became the first to dance Giselle, followed by outstanding Russian ballerinas, such as Tamara Karsavina, Anna Pavlova, Olga Spessivtseva, Galina Ulanova, Natalia Bessmertnova and Altynai Asylmuratova...

The plot of Giselle is clear and compact: two acts – the real and fantastic worlds -symbolize the opposition of dreams and severe reality.

The main treasure of Giselle is in its choreography that features arabesque – one of the most beautiful forms of classical dance. The choreographic beauty of the Wilis fascinates the audience forever. Time, fashion and tastes change, however, Giselle’s success is eternal.

The story is based on the legend about the Wilis – maidens who had died because of being deceived by their lovers and kept a dangerous grudge against all the male mortals. Dressed in bridal gowns, the Wilis compel the wayfarers to join in their giddy whirling movements until they die from exhaustion. French writer Théophile Gautier was inspired by Heinrich Heine’s story and, within days, together with Jules-Henri Vernoy de Saint-Georges created the plot. Adolphe Adam wrote the music in three weeks. The experienced Jean Coralli and the young Jules Perrot were chosen to design the choreography.

Soon after the premiere at the Paris Grand Opéra on 28 June 1841, Giselle was recognized as a remarkable achievement of ballet art. The unique balance of storyline and choreography determined success of the ballet, primarily in Russia. In 1850s in Saint Petersburg the ballet was further improved by Jules Perrot. However, the final choreographic version belongs to Marius Petipa, who, with respect to the romantic ballet style, polished it masterly and became the third choreographer of Giselle.

Carlotta Grisi became the first to dance Giselle, followed by outstanding Russian ballerinas, such as Tamara Karsavina, Anna Pavlova, Olga Spessivtseva, Galina Ulanova, Natalia Bessmertnova and Altynai Asylmuratova...

The plot of Giselle is clear and compact: two acts – the real and fantastic worlds -symbolize the opposition of dreams and severe reality.

The main treasure of Giselle is in its choreography that features arabesque – one of the most beautiful forms of classical dance. The choreographic beauty of the Wilis fascinates the audience forever. Time, fashion and tastes change, however, Giselle’s success is eternal.

The Main Hall of the Astana Opera House will host the opening of the annual Theatre Festival “NUR-SULTAN THEATRE WEEK”, dedicated to the 30th anniversary of the Independence of the Republic of Kazakhstan. The organizer of the festival is the Akimat of Nur-Sultan city.

Festival participants: Kuanyshbayev Kazakh State Academic Music and Drama Theatre, M. Gorky State Academic Russian Drama Theatre, Zhastar Theatre, Astana Ballet Theatre, Ye. Rakhmadiyev State Academic Philharmonic, Musical Theatre for Young Spectators and Nomad City Hall Theatre named after Azerbaijan Mambetov. A special guest of the festival is the Moscow Sovremennik Theatre.

The rich festival programme features theatrical performances from the golden fund of the capital's theatres, open workshops from the best theatrical figures of Kazakhstan: direction, acting techniques, scenic speech, scenic movement, performance training, etc., as well as art exhibitions and creative concerts of the capital artists.

The opening ceremony of the Theatre Festival “NUR-SULTAN THEATRE WEEK” will take place on the stage of the State Opera and Ballet Theatre “Astana Opera” before the performance of the opera Kyz Zhibek by Ye. Brusilovsky.